About



 
Food is how people get to know who I am. Music is how I get to know other people. 

These two art forms have been the most pivotal in shaping who I am in my life. I've known since as long as I could think that I would become a chef; cooking, and serving others through food, is what I've been put on this planet to do. And while I work in the hospitality industry by profession, I love engaging in discussion about music just as much, as it appeals to me in ways that words cannot do justice. I suppose part of the reason why is because of its social nature: when we share what music we love, we learn more about each other, and become better human beings. At least, that's what I truly believe.

Osmosis Tones aims to showcase a wide variety of music, from the DIY underground to the top of the pops, albeit with an emphasis on up-and-coming, independent acts that showcase an "art first" ethos. Through our staff's broad (and excellent) range of musical tastes, we aim to deliver thoughtful criticism with our respective, well-defined personalities. There are no genre limits or preferential treatment towards certain styles, as we hope to absorb all musical tones through osmosis, the only way you can in the modern age.

Whether we find unexpected success, remain an independent gem for fans of underground music, or simply become a personal outlet for our writers to document their favorite music at certain points of their life, those involved with Osmosis Tones hope that those who read our blog will find new music that they enjoy. We're laid-back and easy to read, but contemplative and considerate. We want to offer humor, but not at the expense of sounding pretentious. We want to carve our own voice, while understanding how everything influences everything. 

Ultimately, we're a music blog for people who love music, who believe that without it, they would not be who they are. I hope you enjoy what we are offering. 

Thanks for reading! 

Zach Zollo

Head Writer/Editor

More From Osmosis Tones

Albums of the Month: February

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By Zach Zollo 2020 is shaping up to be an excellent year for new music. Here's a recap of my favorite releases from last month, and what YOU should be checking out! 
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We Need To Talk About... #1: Rosy Overdrive, Part II

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  Presenting We Need To Talk About... , a new feature where a certain artist(s) is examined, appraised or defended. Wrapping up the discussion with Rosy Overdrive in the previous issue, we finish by discussing our favorite bands and albums from New Zealand, Cymbals Eat Guitars and Club Night. 
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DOUBLE FEATURE: SubWolf & Gray Heron

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By Luke Robinson With this feature, I thought I would take the opportunity to shine a light on some awesome artists bubbling up in the electronica sphere. These projects provide the perfect soundtrack to these dystopian times we are experiencing.  SubWolf is a Knoxville-based electronic project that utilizes live instrumentation, featuring kinetic drum and bass playing set to icy synth grooves and ambient textures.  Gray Heron is a one man electronic project based in Asheville, NC (a little over 100 miles from SubWolf, you all should link up or something). The project takes influence from hip hop grooves and bubbly 90’s ambient and trance with some psychedelic elements.  But enough chit chat, lemme get to some mini-reviewing... Floor 7 EP - SubWolf SubWolf dropped their debut EP, Floor 7 , this past March. It immediately zooms out the gate with an insanely manipulated Tom Nook sample, which segues into the spacious and funky “Red Flag.” The song is a trip, with its angular, bouncy syn
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Review: Making a Door Less Open - Car Seat Headrest

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By Greg Wiacek If you listen to indie rock, you’ve likely heard of Car Seat Headrest. They make catchy rock music with attitude, displaying a good ear for pop melodies influenced by the best of the Strokes, Guided By Voices and Daniel Johnston. The lyrics are painstakingly earnest, detailing anxiety, depression and self-doubt with self-deprecating humor that puts you directly in Will Toledo’s shockingly relatable point of view. They employ imaginative and daring songwriting arrangements with a penchant for exploring epic lengths as driven by shifting tempos, dynamics and layers of harmonies - despite the extremely limited resources and recording equipment at hand. They even mastered the art of crafting those meaningless-yet-cathartic mantras you can shamelessly yell at the top of your lungs as anthems – “THE OCEAN WASHED OPEN YOUR GRAVE”; “IT DOESN’T HAVE TO BE LIKE THIS”; “DRUGS ARE BETTER, DRUGS ARE BETTER WITH FRIENDS ARE BETTER WITH FRIENDS ARE BETTER WITH” – you get it.  Their 201
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